Mathias Duhamel's works have the appearance of true paintings, but like the last measure of a score, these pictures represent only the last image of a pictorial expression that evolved during the whole duration of the concert. The first scenes are no longer visible, definitively covered by the latest ones.



LA QUADRATURE DU TRIO



TVERSKAYA



LA MUSE EMBUSQUÉE



RUPESTRIA



EL CONDOR



ALEXANDRIE



BOLÉRO











.